Complexities of Third World Cinema Black Study Essays 8 Pages Double space MLA format with in-text citation.
The assignment has 2 section, each section should be 4 pages essay.
Keep your answers clear, concise and analytical. Avoided pointless summaries of texts.
Address your responses to the specific demands of each question.
Make sure you use the textbook at least 5 times for each essay. Show that you have read the textbook well. (I’ll mark out the key reading for you , see below)
Illustrate your answers with pertinent references. So find more sources other than textbook to support your ideas, but make sure they are academic.
Please use simple language to write this, do not go too deep.
Make sure you cite everything you use and use your own words.
Text book link
https://drive.google.com/file/d/1W6ciICwLSU7pIrrUJ…
Choose ONLY ONE in section B
Please read these reading and watch these movies QUESTIONS:
SECTION A
1) Examine, with examples from readings and national cinemas so far, the complexities of “Third
World Cinema’, and their unique frameworks of representation and ideological contestations.
SECTION B
2) With special attention to each film’s narrative spheres and trajectories, analyze the themes of
childhood, society, and struggles for self-determination in The Second Mother and Heli.
3) Discuss The Harder They Come and Sugar Cane Alley as works of social critique, noting
the aesthetic, historical, political and economic underpinnings of their critical trajectories.
4) Referencing the film’s context of production, examine how critical networks, steeped in
feminist sensibilities, religion, culture and community shape the narrative dynamics of Wadja.
GOOD LUCK!
FILM SCHEDULE AND ASSIGNED READING:
WEEK 1/ Oct. 02: THE SECOND MOTHER (Anna Muylaert, 2015, Brazil)
Read: Rego, pgs. 204-211; Dennison, pgs. 131-144 pgs; Pinho, pgs. 103-128.
WEEK 2/Oct. 09: HELI (Amat Escalante, 2013, Mexico)
Read: Campbell, pgs. 60-77; Lantz, pgs. 253-269; Bunker & da Gruz, pgs. 702-716.
WEEK 3/Oct. 16: THE HARDER THEY COME (Perry Henzell, 1973, Jamaica)
Read: Paddington & Warner, pgs. 91-108; Gaztambide-Fernandez, pgs. 353-376.
WEEK 4/Oct. 23: SUGAR CANE ALLEY (Euzhan Paley, 1983, Martinique)
Read: Demissiea, pgs. 101-110; Ebrahim, pgs. 146-152; Gaudry-Hudson, pgs. 478-493.
WEEK 5/Oct. 30: WADJDA (Haifaa Al-Mansour, 2014, Saudi Arabia)
Read: Sakr, pgs. 214-233; Deb, pgs. 521-532; Garcia, pgs. 34-37.
WEEK 6/Nov. 06: THE PHOTOGRAPH (Nan Triveni Achnas, 2007, Indonesia)
Read: Hanan, pgs. 107-121; Hughes-Freeland, pgs. 417-444; Michalik, pgs. 378-396.
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